Wednesday, February 27, 2013

[U311.Ebook] Download Competitive Shooting: Techniques and Training for Rifle, Pistol, and Running Game Target Shooting, by A.A. Yur'yev

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Competitive Shooting: Techniques and Training for Rifle, Pistol, and Running Game Target Shooting, by A.A. Yur'yev

An encyclopedic resume of the principles and practices involved with training and equipping world-class shooting champions. English-language translation by NRA.

  • Sales Rank: #1200392 in Books
  • Published on: 1985-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.50" w x 1.25" l,
  • Binding: Hardcover
  • 399 pages

Most helpful customer reviews

13 of 14 people found the following review helpful.
Astonishing depth and scope
By A Customer
You are probably not an educated shooter if you haven't read this book. The chapters on biomechanics, vision, and technique feature some of the best information available for shooters. The author devotes nearly 40 pages to the chapter "aiming" and 35 pages to "releasing the trigger." In a field that has been inundated with bad science, fallacious reasoning, and dubious assumptions, COMPETITIVE SHOOTING is a breath of fresh air. A little dry and "textbookish," but the information content is incredible.

6 of 6 people found the following review helpful.
Great book for the beginning shooter
By A Customer
This is the book that got me into competitive shooting. It has all of the information that you would need to get started. I highly recommend it.

31 of 33 people found the following review helpful.
For the SERIOUS competitor in Olympic events.
By Mark Polansky, Sr
This book was written by one of the most famous and successful Soviet shooting coaches and is geared only towards winning the Olympic shooting events. If you want to win at Olympic Rapid Fire pistol, Free Pistol, air pistol/rifle, or Smallbore Rifle, this is THE BOOK to buy. On the other hand, if you are into IPSC, IDPA, Pins, Action Pistol, Cowboy, SASS, Steel, or PPC, then this is probably not the book to buy, though some of the principles will apply. Bullseye shooters will benefit, but those handgunners shooting most of the American sports will be disappointed. Rifle shooters of most disciplines will find this book very useful, and the book is evenly divided between rifle and pistol shooting. The whole focus is on a person who already knows the basics of breathing, trigger control, stance, etc., and wants to hone his physical and mental skills to perfection. At this level, the mental conditioning is nearly equal to the physical requirements. Time tested (and proven) methods of rhythmic breathing, stances that allow for maximum muscle relaxation, eye exercises, and many other esoteric techniques are used. This being said, I used the techniques, practiced 1500 rounds a week for 6 months, and ended up winning a Bronze Medal at the '91 European Action Pistol Championship match in Heidelberg, Germany. So, the book has some applications for all shooters, but is geared totally toward Olympic events. If you are not a national or world class competitor, and don't aspire to be, the book is probably not worth the price. If you are, it probably is. Good luck and DVC.

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Monday, February 25, 2013

[I192.Ebook] PDF Ebook CT Layman's Terms: The Basic Concepts of CT Physics Made Easy (LJ Notes), by Lawrence McNair Jr

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CT Layman's Terms: The Basic Concepts of CT Physics Made Easy (LJ Notes), by Lawrence McNair Jr

What's so tough about the concepts of CT Physics? This book will help those who want to learn about CT Physics and who are inspiring to become CT Technologists.

  • Sales Rank: #3615490 in Books
  • Brand: Brand: New Age Innovations LLC
  • Published on: 2009-10-01
  • Binding: Paperback
  • 61 pages
Features
  • Used Book in Good Condition

Review
This book really explained CT Physics in a simplified manner. --Customer

I found this book extremely helpful! --Jim

I found this book extremely helpful! --Jim

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Thursday, February 21, 2013

[O794.Ebook] Download Ebook Before Religion: A History of a Modern Concept, by Brent Nongbri

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Before Religion: A History of a Modern Concept, by Brent Nongbri

A fascinating exploration of religion as an invention of the modern world

For much of the past two centuries, religion has been understood as a universal phenomenon, a part of the “natural” human experience that is essentially the same across cultures and throughout history. Individual religions may vary through time and geographically, but there is an element, religion, that is to be found in all cultures during all time periods. Taking apart this assumption, Brent Nongbri shows that the idea of religion as a sphere of life distinct from politics, economics, or science is a recent development in European history—a development that has been projected outward in space and backward in time with the result that religion now appears to be a natural and necessary part of our world.

Examining a wide array of ancient writings, Nongbri demonstrates that in antiquity, there was no conceptual arena that could be designated as “religious” as opposed to “secular.” Surveying representative episodes from a two-thousand-year period, while constantly attending to the concrete social, political, and colonial contexts that shaped relevant works of philosophers, legal theorists, missionaries, and others, Nongbri offers a concise and readable account of the emergence of the concept of religion.

  • Sales Rank: #163409 in Books
  • Published on: 2015-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .0 pounds
  • Binding: Paperback
  • 288 pages

Review
 “Recent scholarship exposing the modern origin of ‘religion’ has awaited a treatise precisely like this: a wide-ranging yet careful exploration of the prehistory of the powerful idea. Written with clarity, ease, and grace, it is exceedingly informative and provocative.”—Tomoko Masuzawa, author of The Invention of World Religions: Or, How European Universalism Was Preserved in the Language of Pluralism (Tomoko Masuzawa 2012-08-09)

"This book provides a wonderfully clear and concise account of our modern notion of ‘religion.’ Written with erudition and insight, it challenges us to rethink everything we have thought about religions, past and present."—Peter Harrison, The University of Queensland

(Peter Harrison 2012-03-28)

“This lucid, broad and well-documented book focuses on the crucial periods of late antiquity and early modernity.  In it, Brent Nongbri makes a convincing case for a more careful and self-conscious use of the term religion. A remarkable synthesis.”— Guy G. Stroumsa, author of A New Science: the Discovery of Religion in the Age of Reason  (Guy S. Stroumsa 2012-08-09)

 “In this brief but challenging book Brent Nongbri defamiliarizes the notion of religion as commonly used. Even if one does not agree with all of his conclusions, the study of 'religion', be it in antiquity or today, will never be the same after the standards set by his book.”—Jan Bremmer, University of Groningen (Jan Bremmer 2012-08-09)

 “Inevitably, we use our own concepts to make sense of the past; failing to realize this, however, is an indictment of our work. Luckily, Brent Nongbri’s genealogy of the concept ‘religion’ will help keep scholars honest by making it tougher for them to portray their modern interpretations as disinterested descriptions.”—Russell T. McCutcheon, author of Manufacturing Religion: The Discourse on Sui Generis Religion and the Politics of Nostalgia  (Russell T. McCutcheon 2012-08-09)

“Compelling . . . a thought-provoking addition to scholarship on religion, history, and culture.”—Publishers Weekly  (Publishers Weekly)

“Sharp and learned . . . In addition to being an absorbing historical polemic, Before Religion is a fine example of the kind of curiosity and skepticism it advocates.”—Adam Kirsch, Barnes and Noble Review
(Barnes and Noble Review)

“Fascinating”—Andrew Sullivan, The Dish
(Andrew Sullivan The Dish)

“Valuable . . . a coherent, lucid, book-length argument that ought to convince the skeptic that ‘religion’ is a problematic category. . . . Nongbri’s book is a great place to start to question the inevitability of modern categories.” —William T. Cavanaugh, First Things
(William T. Cavanaugh First Things 2013-04-18)

"A significant contribution . . . a clear and carefully written book."—Naomi Goldenberg, Critical Religion (Naomi Goldenberg Critical Religion)

"Nongbri writes with admirable clarity, and with the historian’s grasp of detail, to encapsulate both recent innovations in theorizing religion and the religions, and the persistence of unexamined assumptions that fail to grasp recent contextualization of religion as European and modern. Nongbri’s concise account within a single volume is a valuable resource for research and teaching."—Jenny Daggers, Liverpool Hope University (Jenny Daggers 2015-04-01)

About the Author
Brent Nongbri is a postdoctoral researcher at Macquarie University in Sydney, Australia.
 

Most helpful customer reviews

6 of 6 people found the following review helpful.
Invented in the 16th and 17th Centuries, But Non-Existent in the Ancient and Medieval Periods?
By Scholastic Reader
This text documents the history of the concept we call "religion" today. It has been well known among historians that in the ancient and medieval worlds, there was no such thing that resembled "religion". There was no packaged concept of religion, nor was there a language available, in most cultures, to express such ideas the way we do. Though the term "religion" comes from the Latin term "religio", which was used in the ancient and medieval times, the book shows how diversely "religio" was used in those periods (for other ancient examples of diverse usages not found in the book see comment #1). Anyways, it was in the 16th and 17th century that the concept of "religion" as we know it, was invented and since then it has created numerous continuous problems such as the popular depiction of "religion" as a reified, abstract, monolithic, uniform, timeless, and universal "thing" that is found across time, cultures, and languages. We often use the word “religion" as if it were a packaged "thing" or identity and yet even holy texts such as the Bible or the Quran never identified people by their private transcendental/supernatural beliefs. Public ethnic divisions and customs were often used instead. The book states that when we talk about "religion" today, we are really talking about the modern concepts and biases/prejudices; resulting in projecting these back in time on people and cultures that never had "religion" - only to see a reflection of ourselves in ancient and medieval sources.

The book highlights numerous reasons as to why what is called "religion" today, was non-existent for people in the ancient and medieval worlds: ancient and medieval cultures did not have a "World Religions" concept, holy texts themselves such as the Bible and the Quran do not have a concept of "religion" or even equivalent words in the original languages; the terminology available in the ancient and medieval worlds (to express religiosity, the secular, the natural, and the supernatural) meant different things through time; terminology that we associate with "religion" today was not automatically associated with the supernatural, but included mundane uses as well; ethnic conceptions of "others" existed instead of privatized belief systems, etc.

However, once we get to the time of the Protestant Reformation, one begins to see the development of new terminology and uses of older words as inching towards the modern understanding of religion as privately held beliefs towards transcendental concerns. Such things occurred due to: the development of nation-states, splitting of Christianity into various sects, exploration and colonization, the encountering of distant cultures, interactions with different languages, and framing all of this in a Western Protestant Christian template (91-98). It is not surprising that today in academic circles and among the everyday people, "religion" is often associated and measured by things that look Christian-like (transcendental or supernatural components, holy texts, sacred buildings, revelations, rituals, etc). Even those who are supposedly nonreligious tend to talk about "religion" in such terms almost exclusively because they absorb the biases of the West. Thinking in these kinds of reductionist terms often misinforms people of historical realities and sometimes creates mutual exclusivity of actions and concepts when they never existed in the minds of people in the past. For example, the popular mentality of separating religious things from secular things is a modern invention. To us today, discovering that "secular clergy" existed in the medieval period might seem like an oxymoron, but for those in the medieval world, this was perfectly unproblematic and clear. In one sense, the ideas in this book do nullify lots of talk on "religion" (both positive and negative), but at least this history is now available to the public, instead of just among specialists.

Other good books on formation of language and concepts for speaking about "religion" are 'Religion' and the Religions in the English Enlightenment, The Invention of Religion in Japan (excellent detailed example on how the Japanese had no concept of "religion" in their own language or culture), and The Territories of Science and Religion.

The following is a short and non-exhaustive list of the contents:

1. What do we mean by "Religion"?

"Because of the pervasive use of the word "religion" in the cultures of the modern Western world (the "we" here), we already intuitively know what "religion" is before we even try to define it: religion is anything that sufficiently resembles modern Protestant Christianity. Such a definition may be seen as crass, simplistic, ethnocentric, Christianocentric, and even a bit flippant; it is all these things, but it is also highly accurate in reflecting the uses of the term in modern languages. Every attempted definition of "religion" that I have seen has implicitly had this criterion as its base. Most of the debates on whether this or that "-ism" (Confucianism, Marxism, etc.) is "really a religion" boil down to the question of whether or not they are sufficiently similar to modern protestant Christianity. This should not be surprising given the history of the category of religion. I need to say a bit more about definitions and current conversations about religion. For the sake of clarity, I articulate three points about the use of "religion" in contemporary popular and academic discussions. First and most important, for many modern people, religion represents an essentially private and spiritual realm that somehow transcends the mundane world of language and history...Note the dichotomy between external history and "faith". The latter is internal, "psychic," and "contemplative". Religion is not political, not concerned with current events; it is about "the heart". It is "unobtrusive." And for most importantly for what follows, religion is thought to be divorced from history. Thus, in this view, "religious 'traditions'" have "'external' histories," but there is something timeless and ahistorical about religion...The second point I want to make about the usage of the word "religion" (and "religions") in modern discussions is to note the habit of using the singular "religion" (largely conceived of in the way I just outlined) to refer to a genus that contains a variety of species, that is, the individual religions of the world, or World Religions. In such usage, these individual religions are generally presumed to different "manifestations" of some sort of unitary "ultimate concern."...My third point is more limited, having to do with how the term "religion" is used in academic discussions. In those contexts, the vocabulary of "religion" is often used in two quite distinct ways that are perhaps best called 'descriptive' and 'redescriptive' accounts, although an older, roughly equivalent vocabulary of "emic" and "etic" is still sometimes used. From an anthropological perspective, a descriptive account is an observer's best effort at reproducing the classification systems of a group of people being studied (this is not the "native" viewpoint itself, but the observer's best effort at reproducing that viewpoint). A redescriptive account, on the other hand, freely employs classification systems foreign to those of the people being observed. So, for example, the notion of organized political parties could be legitimately used as a descriptive concept when thinking about modern American culture, in which people routinely define themselves by "their political party" of their "political affiliation" or their rejection of the major political parties. If, however, we were to giving an account of, say, ancient inhabitants of North America, the use of political parties in such an account would be redescriptive (the ancient North Americans themselves might have used other grouping strategies, such as tribal affiliation or kinship groups, which would thus be legitimate terms in a descriptive account)." (18-22)

2. Lost in Translation: Inserting "Religion" into Ancient Texts

The diverse uses and meanings of the Latin word "religio", the Greek word "threskeia", and the Arabic word "din" in both the ancient and medieval world; the Arabic "din" is better translated as "law" than "religion"

3. Some (Premature) Births of Religion in Antiquity

Four early examples of how ideas of religion were interpreted in ethnic and civic terms, not something like private beliefs or supernatural beliefs; "Greekness" is how people understood the term "hellenismos"; Josephus used the term "ioudaismos" which can be translated as "judaism", but all he meant by it was ethnic customs of the Judeans

4. Christians and "Others" in the Premodern Era

The way medieval Christians spoke about Muhammad and Islam was not as if he was a leader of another religion or that Islam was another religion, he was seen a heretical Christian of some kind and Islam was seen as a heretical Christian sect, though later on Muslims were seen idolaters or other similar terms; Buddha was seen as a saint in Christendom under a different name, and was not seen as a leader of another religion; "Groups that modern scholars discuss as different ancient "religions" did not discuss one another in that way." (84)

5. Renaissance, Reformation, and Religion in the Sixteenth and Seventeenth Centuries

Edward Lord Herbert of Cherbury is known as the "Father of Deism" in the 1600s wrote about the "Common Notions" of religions as 5 things: there is one supreme God, God ought to be worshiped, Virtue and Piety are chief parts of Divine worship, we ought to repent for our sins, Divine goodness dispenses rewards and punishments in life and after death; the Protestant Reformation affected many dimensions of societies besides spiritual matters; the formation of the State; issues like the Wars of Religion were not about religions per se, but of the creation of religions in terms of private matters being made irrelevant to political matters - after all, there were allegiances between rulers from different religions and even Catholic rulers resisted papal authority; John Locke heavily influenced the concept of religion by associating texts for the purpose of salvation and redefining "church" to be a voluntary and private affair that did not interfere with the state and because of that it was to be tolerated

6. New Worlds, New Religions, World Religions

"In the preceding chapter, I tried to show how a world that had previously not been differentiated into "religious" and "secular" spheres became one in which religion was conceived of as an ideally private and nonpolitical realm." (106); age of exploration and colonization prompted the need to differentiate between people, ideas, customs, and beliefs as Europeans came into contact with them; new terms emerged in India and Japan, for example, to differentiate; World Religions concepts

7. The Modern Origins of Ancient Religions

"Many specialists recognize that religion is a troublesome concept when handling ancient evidence. Yet few scholars are willing to abandon the term. Instead, they have cultivated rhetorical devices to smooth over these conceptual difficulties and make religion seem timeless and universal." (133); "Europeans have in some form or fashion been aware of the gods of Greece and Rome continuously from the time of the earliest Christians. From the fifth century until the sixteenth century, most people who thought of Greek and Roman gods regarded them as demonic minions of Satan...among the more educated population, this view existed alongside (or intermixed with) two others. For some the Greek and Roman Gods were heroic humans of old who had come to be regarded as divine at a very early period (the so-called Euhemerist explanation of the gods, associated especially with Lactantius and Isidore of Seville). For others, the gods and their stories were simply harmless allegorical expressions of virtues and vices. Thus the Greco-Roman pantheon could safely adorn the art and architecture of public spaces (and even churches) throughout Europe, and Christian Neo-Platonists could with clear consciences freely employ deities of Greece and Rome in their symbolic speculations. With the increasing number of newly discovered classical manuscripts and the birth of modern archaeology from the time of the Italian Renaissance on came a growing interest in classical antiquity and its many gods. Yet even the great humanists rediscovering ancient Rome regarded its deities as something less than gods." (133-134); interaction with other cultures in the New World and rejuvenated interest in Greek and Roman culture influenced people in the 16th century to create reified images of these cultures with their national "essences" including comments on their "religion" as embodying the spirit of the people in these cultures; in the 19th century seeking early or original myths became a preoccupation of classicists; how scholars invented "Mesopotamian religion" in the 17th century and placed it on top the archaeological finds and how they described Mesopotamians as a people; "Although the Greeks, Romans, Mesopotamians, and many other peoples have long histories, the stories of their respective "religions" are of recent pedigree. The formation of "ancient religions" as objects of study coincided with the formation of religion itself as a concept of the sixteenth and seventeenth centuries." (152); "If we want to go on talking about ancient Mesopotamian religion, ancient Greek religion, or any other ancient religion, we should always bear in mind that we are talking about something modern when we do so. We are not naming something any ancient person would recognize. In our current context, we organize our contemporary world using the concepts of religion and secular. Furthermore, we carve up the religious side of that dichotomy into distinct social groups, the World Religions. Intentionally or not, when we bring this vocabulary to ancient sources, baggage comes along with it. Religion is a modern category; it may be able to shed light on some aspects of the ancient world when applied in certain strategic ways, but we have to be honest about the v=category's origin and not pretend that it somehow organically and magically arises from our sources. If we fail to make this reflexive move, we turn our ancient sources into well-polished mirrors that show us only ourselves and our own institutions." (153)

8. Conclusion: After Religion?

Continual problems faced when anyone tries to define religion; "Ancient peoples were not in the business of dividing aspects of their lives into "religious" and "not religious," so the approach to studying religion in the modern word that I just outlined would not be very effective when applied to ancient evidence." (156); considerations to keep in mind when using the word "religion" so as to not put word in the ancients mouths that they never intended

Overall, bravo. This book will surely challenge perceptions.

12 of 14 people found the following review helpful.
Shifted My World Perspective Fundamentally
By Peter Wall
This book is on the short list of those that shifted my world perspective fundamentally, then left me feeling like a fool for not reaching its conclusion on my own. I cannot recommend it highly enough to readers with any interest whatsoever in "religion," both the word itself and its many referents. Religion is contested vehemently these days: some insist that religion motivates or even causes the world's greatest evils, while others insist that people cannot get by in dignity without religion. If you hope to make sense of our world, and these disputes, without making a mess of your mind or fool of yourself, then pick up and read. Nongbri writes succinctly, persuasively, and engagingly. And the best part, if you like books that are doorways to other books, is that the endnotes, bibliography, and index comprise more than a third of the book.

5 of 5 people found the following review helpful.
Offers a fresh and crucial insight into the Western (mis)understanding of religion.
By Donald C. Maldari, S.J.
Before Religion is an extremely important book with the potential of a Copernican revolution in how Westerners understand the workings of world societies and cultures. Nongbri demonstrates that the understanding of the phenomenon commonly known as religion, and its distinction from the secular, is a new one and unique to the West. The West currently understands religion to be an optional and private subset of human culture. That is not what the word meant up to the Protestant Reformation and the Enlightenment. Its most ancient meanings referred to duties and obligations not only to the gods but also to people. In light of Nongbri's work one sees that before the Enlightenment people's relationships with their ultimate concerns, their gods, their final goals were not separated from everyday lives but an integral part of them. This is still the case in all non-Western cultures insofar as they are not influenced by the West's understanding of religion. Westerners could access major insights into non-Western cultures and politics if they realized that these people simply do not have religions as Westerners understand the term. Taking this insight one step further, there is no reason to believe that Westerners actually separate their faith in their ultimate concerns from their lives either, even if they think they do. Traditional theology or churches may not mean much to them, but everyone has an ultimate goal, even if it is unconscious, which shapes her or his activities, values and life. The no establishment of religion clause in the U.S. Constitution safeguards U.S. society from the domination of one faith-system over another and prohibits one "church" or faith-community from being the official one. It does not and cannot exclude faith from public life.

People who make their living from writing world religion textbooks and teaching world religion courses should be worried. Nongbri demonstrates that there is nothing to study except how the West thinks that it separated its faith(s) in its ultimate concern(s) in the last 400 years or so.

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Wednesday, February 13, 2013

[V765.Ebook] Download Mastering Leap Motion, by Brandon Sanders

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Mastering Leap Motion, by Brandon Sanders

Design robust and responsive Leap Motion applications for real-world useAbout This Book

  • Become an expert in making apps for Leap Motion using object-oriented programming
  • Learn effective techniques and innovative design processes that are ideal for creating and testing 2D and 3D applications
  • Explore the future of human and computer interaction enabled by Leap Motion today, through practical use cases
Who This Book Is For

If you want to begin writing full-fledged applications for the Leap Motion Controller or if you are trying to figure out how the Leap Motion device integrates with preexisting technologies, this is the book for you. Since we'll be making heavy use of object-oriented programming, a working knowledge of any object-oriented programming language is essential. Basic familiarity with developing Leap Motion apps is assumed.

What You Will Learn
  • Get to grips with the various functions and tools provided for developers by the Leap Motion API
  • Understand how Leap Motion detects and handles various gestures and movements made by users, including ergonomics and fatigue
  • Create a simple 2D painting application using only Java and the Leap Motion API
  • Design and create a 3D application using the Unity 3D toolkit
  • Troubleshoot, debug, and optimize Leap Motion applications to improve their responsiveness
  • Explore the future of Leap Motion technology and where it might be used tomorrow
In Detail

Leap Motion technology offers a truly innovative way of interacting with software. Traditionally, computing has always involved the use of a keyboard, a mouse or a controller. Leap Motion gives developers a new solution to creating a radically new user experience, in a way that is both comprehensive and disruptive in the most exciting sense of the term. From typing to robotic hands and virtual harps, Leap Motion makes human and computer interaction so much more immersive.

Starting with the fundamentals, this book will arm you with the knowledge you need to write functional and intuitive 2D and 3D Leap Motion applications. Beginning with a quick step-by-step guide to get you set up and an overview of how the Leap Motion API works to consolidate your knowledge, the book then looks closely at writing a 2D painting application and explores how to create a 3D application. The book will then look forward to the future of Leap Motion and the future that could be made by it. Featuring diagrams, screenshots, and code examples to guide you as you master Leap Motion, this book will keep you in touch with the future of technology.

  • Sales Rank: #2901993 in Books
  • Published on: 2014-11-25
  • Released on: 2014-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .56" w x 7.50" l, .95 pounds
  • Binding: Paperback
  • 248 pages

About the Author

Brandon Sanders

Brandon Sanders is an 18-year-old roboticist who spends much of his time designing, building, and programming new and innovative systems, including simulators, autonomous coffee makers, and robots for competition. At present, he attends Gilbert Finn Polytechnic (which is a homeschool) as he prepares for college. He is the founder and owner of Mechakana Systems, a website and company devoted to robotic systems and solutions. As a home-educated student, he's had the unique opportunity to focus his efforts on the fields that interest him. This has made him successful as the team captain for the FIRST Robotics teams: #4982 Cafe Bot and #1444 the Lightning Lancers. He has also served as a scientific research assistant to the Chairman of the Washington University Physics Department, where he wrote software to aid in the calculation of equations of state for dense matter in neutron stars. He has received numerous awards and accolades as a result of his involvement in various programs. Two of his most notable achievements are FIRST Robotics Competition Dean's List Award and FIRST Tech Challenge World Championship Inspire Award.

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0 of 0 people found the following review helpful.
I highly recommend to at least have experience with Java and in ...
By Job
The title of the book ‘Mastering Leap Motion’ suggests that this book is aimed for those who are willing to become professional Leap Motion developers. In fact, this book has a very practical approach to achieve this goal. The author assumes within this book that those who read it have a sufficient prior knowledge of programming languages, therefore this book is not teaching you how to program, but how to combine both your programming skills and the Leap Motion. For those who are interested in mastering the Leap Motion, I highly recommend to at least have experience with Java and in particular with Object Oriented Programming.
Sanders begins by helping you to set up both the Leap Motion device and the Integrated Development Environment. This is followed by going through the most important classes of the SDK, i.e. the Hand, the Finger, the Vector, the Frame, the Controller and the Listener class.
The next few chapters guide you towards understanding the Leap Motion itself and the best practices for overcoming design problems. However the book could have gone more in depth of the actual classes, it does a great job creating a mind-set to reach the requested level of user experience. It makes you aware of ergonomics and user fatigue, but most importantly the experience guidelines that every Leap Motion developer should follow.
When enough conceptual knowledge has been gained after reading these few chapters, the author provides you with several step-by-step examples of building applications. The first application is a 2D drawing application, written in Java Swing. This is directly followed by creating another application with another dimension, but this time in Unity using C#. From start to end, the book teaches you how to combine Unity 3D with the Leap Motion by building a controllable flying entity.
The final chapters of the book are focussed on both the author’s experience in robotics and going beyond the Leap Motion, by providing several topics of real-world usage of the device. In my opinion, the author could have gone further into this, by also including other topics, such as application for healthcare and education. Real-world usage in my opinion does not only include the ‘fun’ side of the device, but also the serious and professional side where the Leap Motion could make a difference in a person’s daily life.
Another great property of the book is that everything is very readable, accompanied by lots of illustrating and relevant images and several fun facts and not-so-fun facts.

Conclusion: The book is great for programmers and hobbyists who want to directly jump into the world of Leap Motion and start developing applications for real-world use. It has a lot of practical examples and goes in depth of both the user experience and developing guidelines.
On the other hand however, it might have missed an opportunity to go a bit deeper into the properties of classes and thus creating a nice overview for programmers to use during development. The actual development and code are encapsulated in great step-by-step examples using a variety of programming languages and engines. The term ‘Mastering’ might be a little too far-fetched, since it gets you from the beginning to a point where you should be able to start developing your own applications with the help of the documentation and other resources. This book is a great starting point to add the Leap Motion to your arsenal of devices and it helps you getting the most out of it.
4/5 Stars.

0 of 0 people found the following review helpful.
Nice starting point for Leap Motion developers
By Amazon Customer
A really complete book aimed at Leap Motion developers.

You'll need good experience with programming languages in general, and with C# and Java in particular. The book is really well organised, and the author guides you in its 229 pages on the path to Leap Motion development mastery.

Here's what you'll learn in this book:

- You'll learn about the Leap Motion API, both the core and the Skeletal Tracking API
- Gesture detection in depth
- Ergonomics and User Experience
- How to use the API to make a complete 'painting' application (Java)
- Integrating Leap Motion into Unity (C#)
- Debugging and Optimizing your application
- Emerging technologies around body/gesture tracking

PROS:

- I really liked the detailed API explanations (and how to debug and fine-tune your application) and examples
- What I was really after was how to integrate Leap Motion with Unity+Oculus Rift, and the book surprised me in a good way

CONS:

- Not about the book, but sometimes Leap Motion lack of accuracy is annoying. I just hope it will improve in the coming months
- 'Mastery' will only arrive if you use this book as a starting 'frame' and then concentrate on a project more complex than the ones presented on the book, and really dig into the API documentation

0 of 0 people found the following review helpful.
A recomendable book about Leap Motion
By Juan Ojeda
Generally, it is a recomendable book in order to learn leap motion to create some applications.

The author explains how to use leap motion with Java and Unity, you will learn how to create an application in 2D and 3D. In addition, there is some chapters that show you to set up the device and even there is a chapter which it is explained to use the unity game engine, if you have never used it.

I bought the book because I wanted to do 3D applications with leap motion and to be honest I thought that the book had more examples about 3D applications with Unity. There are two examples and they are not very difficult for a advance book about programming with this device.

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Measurement of the Performance Characteristics of Diagnostic X-Ray Systems: Intensifying Screens, Films, Processors and Auto-Exposure Contr

  • Published on: 1997-12-31
  • Binding: Paperback
  • 43 pages

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Monday, February 11, 2013

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  • Sales Rank: #870761 in Books
  • Published on: 2000-12
  • Original language: English
  • Number of items: 1
  • Dimensions: .25" h x 5.89" w x 8.87" l,
  • Binding: Paperback
  • 72 pages

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Thursday, February 7, 2013

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  • Published on: 1997
  • Binding: Paperback
  • 220 pages

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Monday, February 4, 2013

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  • Sales Rank: #4285371 in Books
  • Published on: 1986-12
  • Original language: English
  • Number of items: 1
  • Binding: Paperback

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Sunday, February 3, 2013

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Cinema of Simulation: Hyperreal Hollywood in the Long 1990s, by Randy Laist

Hyperreality is an Alice-in-Wonderland dimension where copies have no originals, simulation is more real than reality, and living dreams undermine the barriers between imagination and objective experience. The most prominent philosopher of the hyperreal, Jean Baudrillard, formulated his concept of hyperreality throughout the 1980s, but it was not until the 1990s that the end of the Cold War, along with the proliferation of new reality-bending technologies, made hyperreality seem to come true. In the “lost decade” between the fall of the Berlin Wall and 9/11, the nature of reality itself became a source of uncertainty, a psychic condition that has been recognizably recorded by that seismograph of American consciousness, Hollywood cinema.

The auteur cinema of the 1970s aimed for gritty realism, and the most prominent feature of Reagan-era cinema was its fantastic unrealism. Clinton-era cinema, however, is characterized by a prevailing mood of hyperrealism, communicated in various ways by such benchmark films as JFK, Pulp Fiction, and The Matrix. The hyperreal cinema of the 1990s conceives of the movie screen as neither a window on a preexisting social reality (realism), nor as a wormhole into a fantastic dream-dimension (escapism), but as an arena in which images and reality exchange masks, blend into one another, and challenge the philosophical premises which differentiate them from one another. Cinema of Simulation: Hyperreal Hollywood in the Long 1990s provides a guided tour through the anxieties and fantasies, reciprocally social and cinematic, which characterize the surreal territory of the hyperreal.

  • Sales Rank: #8498812 in Books
  • Published on: 2015-03-12
  • Released on: 2015-03-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x .97" w x 6.29" l, 1.18 pounds
  • Binding: Hardcover
  • 272 pages

Review

“This analysis is impressively adept at situating the films of the long 1990's into their historical context, bookended as they are by the wish-fulfilling Reaganite cinema of the prior decade and the intrusion of the real in the wake of 9/11. Laist recasts both the 1980's and the beginning of the 21st century as he explores how hyperreality played through the decade in between. While Baudrillard is at the heart of his lens, Laist deploys and interrogates feminist, Marxist, historiographic, and Freudian perspectives along the way. All readers will appreciate his careful and entertaining attention to the details of the popular films he considers, making this a study that will engage fans, students, and film scholars alike.” ―Robin DeRosa, Professor of English, Plymouth State University, USA

“A fascinating exploration of the theme of hyperreality in popular cinema of the long '90s. Laist's detailed, accessible, and entertaining new book constitutes a major contribution to the field of film studies while providing a thrilling opportunity to revisit many of our favorite movies.” ―Michael Skinner, Assistant Professor of Theatre, Southern Connecticut State University, USA

“Randy Laist's exemplary study on the long 1990s is remarkable for its fusion of postmodern critical theory and Hollywood cinema by exploring the contested terrain of the authentic and the artificial, new historicism and narrative mazes, at the fin-de-millennium. An indispensable and fascinating volume for anyone interested in American Culture and 1990s Hollywood Cinema.” ―Sorcha NĂ­ Fhlainn, Lecturer in Film Studies and American Literature, Manchester Metropolitan University, UK

“This is an important, critically sophisticated, and extremely well written examination of our potential collective futures--or at least the ones Hollywood is willing to tell us about.” ―Scott Bradfield, Retired Professor of American Literature and Creative Writing, University of Connecticut, USA, and author of The People Who Watched Her Pass By

About the Author
Randy Laist is Associate Professor of English at Goodwin College, USA. He is the author of Technology and Postmodern Subjectivity in Don DeLillo's Novels and the editor of Plants and Literature: Essays in Critical Plant Studies and Looking for Lost: Critical Essays on the Enigmatic Series.

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In this first installment of his long-awaited Trilogy of Magic, Robert E. Neale uncovers the profound extent to which human experience is informed by our illusions . . . and the essential role magicians play in teaching us how to celebrate it! The book also includes twenty-one of Bob Neale’s latest, highly innovative magic routines performed with simple props such as playing cards, bills, rope, and paper. Each one comes with a fully developed presentation.

  • Sales Rank: #2455194 in Books
  • Published on: 2013-10-01
  • Original language: English
  • Dimensions: 9.00" h x .78" w x 6.00" l,
  • Binding: Paperback
  • 344 pages

About the Author
Bob Neale is a teacher and writer. Throughout his career, he has exercised his imagination by making up things in the overlapping areas of religion, magic, and the arts. The results have been psychological theories about death and dying, religion as mature play, and the relations of loneliness, solitude, and companionship. An understanding of the place of magic in daily life grew out of these explorations. And the expression of it was facilitated by his creation of origami models, puzzles, and tricks that are frequently presented with social, political, and philosophical meanings. He cares about magic as imagination at play in the expression of truth through illusion. Bob is an ordained minister in the United Church of Christ with degrees from Amherst College and Union Theological Seminary in New York, where he taught for twenty-four years as Professor of Psychiatry and Religion. His publications during that time include In Praise of Play (1969), The Art of Dying (1973), and Loneliness, Solitude, and Companionship: New Dimensions in Relationship (1984). Bob is an internationally exhibited and published creator of origami models. In 1964, he delighted many paperfolders and magicians with his “Bunny Bill.” In 2009, his impossible object “The Impossi-Bill Braid” gave instruction on construction in both text and DVD. Between these years, he has published Origami, Plain and Simple (1994), Folding Money Fooling (1997), Frog Tales (2000), and Which Came First? A Collection of Magical Designs (2006). Bob’s essays on magic and tricks have appeared in many journals, pamphlets, and books. He was a monthly columnist for The Linking Ring for five years. His first book for magicians, Tricks of the Imagination (1991), was followed by Magic and Meaning, co-authored with Eugene Burger (1995, now in an expanded, second edition from 2009); Life, Death and Other Card Tricks (2000); The Magic Mirror, co-authored with David Parr (2002); Celebration of Sides: The Nonsense World of Robert Neale, with the assistance of Michael Weber (2006, DVD); This Is Not A Book (2008); Magic Matters (2009); Gift Magic: Performances that Leave People with a Souvenir, with Jeff McBride, George Parker, Lawrence Hass, Eugene Burger, and Rich Bloch (2010); 444 and Three More (2011); and Nine Uneasy Pieces (2012).

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2 of 2 people found the following review helpful.
MUCH MORE THAN MAGIC
By ratty
One can learn magic tricks. But what caught my attention is the path to enlightenment - between descriptions of performances - the Buddha would be hard pressed to do as well. What a magic ruse this book is !

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